We've
got a musical motif running this week...
AMC - "Scary Monsters/Super Creeps"
The Lavery brothers are living that Bowie tune these days. Ryan's
flashbacks to Patrick "He's Your Daddy" Lavery, eerily reminiscent of
Tad's memories of Ray Gardner. Jonathan The Creep outed by his former
fiancee. Now Jonathan's lurking around Bianca again; are TPTB going to
repay Eden Riegel's decision to leave with a final "bash," not a farewell
party? Two weeks left to play out this story, and I doubt that's going to
be enough time. It will be interesting to see how this plays out (what an
understatement).
Speaking of Ryan, wasn't that a well-choreographed and executed fight
between Ryan and Zach? Thorsten Kaye has worked as a stuntman, so I guess
that helped add that extra bit of realism to the scene. Great work. (I
must confess that the rivulet of blood running from the corner of Zach's
mouth brought back memories of Port Charles!)
When the concept of the Miranda Montgomery Center first came to light, I
thought, hmm, whatever happened to Brooke English House? (Granted, that
was more of a shelter in general, not targeted to women and children
specifically, but...) I smiled when Brooke visited Bianca and mentioned
that the Miranda Center would be a good complement to her shelter. Great
save!
On the subject of Miranda, there is one small positive factor to the
departure of Maggie, Bianca, and (presumably) Miranda: that means that the
adorable child playing the part of the miracle baby will not be recast
(until she's SORASed in a few years and comes back to PV and Granny Erica
to wreak havoc or whatever). I've read various accounts of what a pleasure
it is for the adult actors when they have to share a scene with the tot,
and it's no wonder. That child is absolutely the sweetest baby I've ever
seen, with a smile that melts even this Grinch's heart (full disclosure:
babysitting is NOT my forte). I've noticed that she has the same effect on
the other actors; their happy faces when looking at baby Miranda are
genuine. On the other hand, it also means that we'll no longer be seeing
that little charmer. Sigh.
GH - "Is That All There Is?"
That Peggy Lee classic came to mind when A.J. was found murdered after,
what, day three of his return? Something tells me we haven't seen the last
of him. And did you notice that the recovering alcoholic helped himself
liberally to "Courtney's favorite champagne?" There's a lot more to this
story. It is, after all, February sweeps.
News of A.J.'s demise brought up emotions from many of the Qs not seen
since Lila's death, and far more surprising in light of the fact that A.J.
ultimately betrayed the family and stole much of its fortune. However,
parents Alan and Monica were grief-stricken (even Tracy patted her
brother's shoulder, a major gesture for her, considering her feelings
towards the deceased), with Monica sobbing to Jason her regrets over how
the family treated A.J. throughout his life. Alan, flipping out and
feeling the need (huh?) to inform Michael that his father had been
murdered, first daring to confront Carly, then storming those "gates" at
Sonny's mansion.
I'm using quotation marks to indicate sarcasm, incidentally. Those "gates"
are how far from the front door, five, six feet? Not like any estate I've
ever visited, and certainly not what you'd expect for Fortress Corinthos.
But, then again, when you have a "bodyguard" like Max, who can't prevent
Alan Quartermaine from bursting into the manse, you've got more safety
concerns to deal with than a teensy gate and a shadow-wired "security"
system!
Leslie Charleson and Stuart Damon gave bravura performances, as usual,
when given the opportunity. I felt their pain, and cried a little during
Monica's scene with Jason. Alan's histrionics didn't evoke the same
response, but his agony was pure and plain to see. While confronting the
Corinthos adults may not have been the wisest thing to do, or logical,
considering the circumstances of the whole Michael saga (Alan and Monica
didn't think A.J. would be a good father to the boy and supported his
transfer to the care of Carly and Sonny), grief makes logic fly out the
window, and it sure did that for Alan. Sonny's initial restraint was
commendable: he recognized Alan's suffering over losing a child, always a
sensitive spot for Sonny, and didn't threaten him until Alan stepped over
the line and blurted out to Michael that his father was dead and that
Sonny had stolen him from the Quartermaines. Even Carly managed to show
compassion for her hated ex-husband before Alan's actions. Sonny's talk
with Michael afterward was both honest and true to the character. Who's
writing this stuff? It's good! And, as stated earlier, the GH troupe of
actors steps up to the plate and hits home runs when given material like
this.
To end on a more familiar note, wasn't that an interesting scene at the
PCPD, with Alcazar agreeing not only to be responsible for his son, but
also for Bridget? I kept thinking of that scene from "The Nutcracker,"
where a motherly character (played by a man due to the sheer weight of the
immense costume) opens her skirts to hide and protect a number of children
within. If you're familiar with this classic ballet (if not, you owe it to
yourself to learn a bit about it), just picture Alcazar wearing a bonnet
and a huge skirt, summoning all the troubled teens of PC to hide
underneath. Priceless!
February 3, 2005
January 27, 2005
January 20, 2005
January 13, 2005
January 6, 2005
December 30, 2004
December 23, 2004
December 16 2004
December 8, 2004
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